Majestic / I, the one who sees

At first glance, Yo el que ve (I, the One Who Sees) might seem like just another novel about demonic possession. However, the reader soon realises it is something more. It is a transgressive work—not because it justifies what we call evil, but because, by visualising the limits and contradictions of its characters (the possessor, the possessed, and the sovereign of good), it destabilises the theological, philosophical, and ethical foundations of Western civilisation.

Unlike the demons that inhabit the bodies of common spirits, Phenex possesses an exceptionally robust, beautiful, and rebellious soul. He does so because he knows that within this spirit lies the chance to reclaim his lost identity: that of a god who has been devalued into a demon.

Majestic, on the other hand, is a tale of a different kind of terror—existential terror: a mother torn between the love for her children and the fear of their suffering. Both Majestic and Yo el que ve explore the abyss of the human condition by probing humanity's fundamental doubts; they are two chisels meant to break the frozen sea of our souls.